PARTNERSHIPS

On the rails of an old railroad, the blues follows its journey of metaphors about the displacement before the world and the desire for freedom. It follows its path as autobiographical chronicles of a loner who strums his personal catastrophe and talks about invisible lives, actors and stories. It is like a state of mind in which rebellious notes are distorted with sarcasm, always half step down, in order to disrespect the western codes of musicality, rescuing for themselves a refined ancestral sensibility.

Bluesmen get drunk on the desire to escape amid moans, whispers and noises. The whistle of the harmonica reveals the passing notes where pleasure meets fugacity. By expressing themselves naturally, they recreate the denied pleasure and resignify the trauma, immersing themselves in melancholy to transmute the pain in a rhythm that gives meaning to the body and life.

In FUGA, Angela Brito incorporates this unpretentious way of living life into her reformed tailoring. The collection walks like the improvisation of the blues: pieces in misaligned shapes, which vary between forms, silhouettes and looks composed by multiple irregular layers of hermetic overlays. For the first time Angela explores the synesthesis of colors by revealing the brushstrokes of day and night, falling in saturated tones to cool nuances. The prints linked to the wild field express the place where life is born. The ideal of hope that germinates in candor and the future return of being in essence.